Each villa offers a unique experience of design and nature combined
Rumah Lata is set right by the rushing waters of a magical waterfall
The main house of Villa Puncak is located on the estate’s highest point
Datuk A Shazilly Bakti and Datin Siti Kathrina Ahmad
Traditional details like ekor itik finials and ekor cicak carvings adorn the roofs at Puncak Rimba
“Back to nature idyll is easily achieved on this sprawling, verdant estate...”
Deep in the heart of verdant Janda Baik, the sprawling Puncak Rimba estate remains Datuk A Shazilly Bakti’s ongoing, all-consuming passion project.
Ensconced amid the verdant jungles of Bentong, Pahang, is the charming hillside village of Janda Baik. With a bracing climate that is distinctly cooler than the Klang Valley’s stifling heat and humidity, Janda Baik — which is Bahasa Malaysia for “good widow” (or “merry widow”, if you have a penchant for Franz Lehar) — has become the weekend neighbourhood of choice for those who wish to be close to nature without venturing too far from the bright lights of the city. Sharing this sentiment is none other than Datuk A Shazilly Bakti, chairman of Schlumberger Drilling Services Sdn Bhd, whose sprawling Puncak Rimba estate is a true vision of an earthly paradise.
Set on 12 acres, Puncak Rimba is made up of a cluster of villas surrounded by forest and orchards. “Years ago, I bought a plot in Janda Baik without inspecting it,” Shazilly shares. “It was around the time when everyone was buying land here. So, I bought without looking and, unsurprisingly, it didn’t excite me. I had no inspiration to develop the plot and it was only just recently that I managed to sell it off. In my heart, I’d always wanted a place with undulating terrain, preferably with a stream. Then, I came across this piece of land for sale in the newspapers, and I visited it. It was perfect, meeting all my set criteria and had the bonus of a waterfall on site. I’d brought my family along to have a look and they all loved it too. So, we had to, how would you say, put on our poker faces when we started negotiating with the landowner,” he laughs.
His purchase came with what most Malaysians would consider to be the ultimate bonus — 300 durian trees. “We have D24, Musang King and the durian kampung varieties,” he says, smiling. “As well as langsat, rambutan, jambu batu, jambu air and at least 200 mangosteen trees.”
With the deal smoothly concluded about 12 years ago, Shazalli took his time. It was only five to six years ago that he finally began building his dream house ... or, to be more accurate, dream houses. Seven individual villas dot Puncak Rimba, including a 106-year-old wooden house brought from Kampung Bongek, Negeri Sembilan.
Guests will first be welcomed in the airy lanai, which is set by a pond as well as a river. Enthusiasts of Malaysian architecture would be thrilled by the Kelantanese Singgora tiles that adorn almost all the roofs at Puncak Rimba. There are very few kilns that produce these elegant link tiles left in Malaysia, making them a rarity. Made from clay sourced from paddy fields and a solution of water and salt, these tiles used to be the crowning glory of aristocratic and wealthy homes in the east coast. “I’m Kelantanese,” says Datuk Shazilly, proudly. “And my family and I are very much into the state’s culture and traditional arts.”
The decor, however, is a blend of all the aesthetics and design sensibilities of the Nusantara region, giving Puncak Rimba an eclectic yet visually-pleasing vibe. There is a mish-mash of decorative elements ranging from congkak boards and brass gongs to marvellous old-fashioned Dutch lamps and large pieces of bamboo furniture sourced personally during excursions to Solo and Borobudur in Java. Stained Indian rosewood and high ceilings also feature heavily in the villas. “I love the feeling of space it gives, and it really allows air to circulate,” Shazilly says of the high ceilings.
Those with an appreciation for detail would also admire, not just the fine Singgora tiles, but also traditional ukiran (carvings) known as ekor cicak (lizard’s tails) and finials called ekor itik (duck tails) hanging from and off the roofs. “I commissioned carvers from Rantau Panjang, the border town along Sungai Golok, to do these. Now, I can tell you, they are very happy whenever they see me coming,” he laughs.
As he spends mainly weekends at Puncak Rimba, his long-term vision is to rent it out to individuals or groups who appreciate and want to be close to nature. “I built Puncak Rimba as a family retreat but it just grew and grew,” he says. “Also, I had so many requests from friends who want to come all the time. So, if there’s a way for the property to be self-sufficient in the future, all the better.”
With the combined villas being able to accommodate about 40 guests, those who are lucky enough to stay here can expect nature-enveloped privacy, and a resort within an orchard within a jungle, if you will. There are no other developments in the vicinity and the only caveat offered by Shazilly is “not to expect too much as it is still a jungle and there are insects and mosquitoes!”
Apart from that, expect nothing but back-to-nature idyll. “The ponds are filled with patin and kelah, so you come, you fish and you eat. And you can help yourself to whatever fruit is in season. You can imagine Puncak Rimba to be especially popular come the durian season,” he chuckles. “The mornings are beautifully misty and the weather is always nice and cool, without the sticky heat of KL. Even without the fan on, you’d probably need a blanket on most nights.”
Indeed, as you explore the grounds, often encountering the resident ayam serama (jungle fowl), geese or ducks, you will find that Puncak Rimba offers a rhythm of life that is easy to fall in line with. Every few metres or so, you will come across a wakaf, most of which are complete with an inviting-looking day bed that beckons you to lie down for a postprandial snooze or simply to while the afternoon away with a good book.
For the more athletically-inclined, a wooden deck made from old railway sleepers offers an ideal spot from which to plunge into river’s icy-cold waters. “Kids love using the smooth rocks as a natural slide,” Shazilly shares. His involvement in traditional Malay dance (he heads Pertubuhan Warisan Seni Tari & Muzik Melayu, a non-governmental organisation that works to preserve Malay dance) also shows in the provision of several grassy courtyards that double up as natural amphitheatres for performances or artistic gatherings.
The main house, Villa Puncak, located at the estate’s highest point, is particularly lovely. Comprising three structures — two one-bedroom units flanking the two-bedroom primary villa — its lofty perch above a 100ft gully allows champagne-fresh winds from the Titiwangsa mountain range to regularly blow through the rooms, making them airy and blissful at all hours of the day.
However, the most spectacular of all the houses is Rumah Lata a short buggy ride away. Lata, being the Bahasa Malaysia word for “waterfall”, should give you an inkling of what to expect but when you actually step into the villa, it is nothing short of breath-taking as you are greeted by the sight of a gushing waterfall right outside your living room. The great Frank Lloyd Wright may have designed the iconic Fallingwater but Rumah Lata has to be experienced to be believed and is, in our opinion, the pièce de résistance of Puncak Rimba. It exudes an energy that is all its own, yet affording peace, calm and the sense of Zen that only water can give, simply by being near it.
Before (reluctantly) heading back to the city, we are invited to sit down to lunch and Shazilly’s wife, Datin Siti Kathrina Ahmad, has prepared a veritable feast, the highlight of which is a platter piled high with Raja Kunyit durians from the on-site orchard, to be eaten the Kelantanese way — using one’s hands and abetted by sinful glutinous rice, coconut milk, sugar and a pinch of salt — to bring out all the flavours.
As we tuck in, Shazilly takes a moment to reflect on the evolution of the estate. “You might not believe it but everything began with the idea of wanting to build a simple tree house for the children,” he muses. “We did build a platform for it. But then we decided a house might be more practical so that we had a place to stay. In the end, the tree house never got built and, even now, when the children come to stay, they still prefer to pitch tents in the garden.”
Villa life or not, it still sounds like a tropical re-telling of Enid Blyton’s The Enchanted Wood to us. The best part about Puncak Rimba? Fiction just got real.